Conference programme
A Corpus in Fever: Archival Impulses
in Theory, Literature, and the Arts
Athens, 14 December 2018
Programme
9:00-9:15 Opening and Welcome
9:15-11:00 The Archive in Literature
Chair: Chryssa Marinou (National and Kapodistrian University
of Athens)
Alexandre Ferrere (Paris Nanterre University)
A
Derridian Exploration into Allen Ginsberg’s Archive(s).
Athina Markopoulou
(National and
Kapodistrian University of Athens)
Memory
Packed and Unpacked: Instances of Resistance to the Cultural Practices of
Archiving in Greek Literature of the nineteenth-century.
Gizem Kızmaz (Boğaziçi University, Turkey)
Database Novel as the New Archival Fiction.
11:00-11:30 Coffee break
11:30-13:15 The Archive in Theory
Chair: Giorgos Giannakopoulos (National
and Kapodistrian University of Athens)
Hannu Poutiainen (University of Tampere, Finland)
Seers, Oracles, and Other Corpuscles of Consecration: On
Consecrative Epithets and their Archival After-Effects.
Thanasis Lagios
(National and Kapodistrian University
of Athens)
Myriads Shades of Grey: Genealogy, Reading and the Colour of the
Archive.
Anne E. Worthington, (Middlesex University)
The Archive of Psychoanalysis and the Trans Body.
Yonit Aronowicz (Paris Diderot University (Paris 7), The
Hebrew University of Jerusalem)
The Praxis of the Photo-Archive: Artistic Actions, Experimentations,
and Extensions.
13:30-14:30 Keynote: Professor Hélène Aji (Paris Nanterre University)
Archives of Loss: David Antin, Susan Howe, Vanessa Place
14:30- 15:30 Lunch break
15:30- 17:15 Archival Art(s)
Chair: Professor Evi Mitsi (National and Kapodistrian University
of Athens)
Anni Pullagura (Brown
University)
Archival Aesthetics: Unsettling Permanence in Adrian Piper’s
Everything #21.
Alexandra Anagnostopoulou (Athens School of Fine Arts)
Visual Archives, Reality and Plausibility.
Vasiliki Petsa (University of Peloponnese)
Athina Rachel Tsangari’s The Slow Business of Going (2001): Visuality, Memory and the Archive on the Move.
Glikeria Selimi (National and Kapodistrian University of Athens)
Dr. Seuss’s World War II Political Cartoons: A Cultural Archive of
Representations of Otherness.
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